Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Domenicho Ghirlandaio
Marienkronung

ID: 29478

Domenicho Ghirlandaio Marienkronung
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Domenicho Ghirlandaio Marienkronung


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Vertreibung Joachims aus dem Tempel | Geburt Marias | Totenfeier fur die Hl.Fina | Vermahlung Marias | Details of Vermahlung Marias |
Related Artists:
Johann Christian Klengel
Johann Christian Klengel (1751-1824), painter.
Charles Codman
(circa 1800-1842) was a landscape painter of Portland, Maine. His art is featured at the Portland Museum of Art as mature, fine early American landscape painting. Codman was probably from Boston and was apprenticed to the ornamental painter, John Ritto Penniman. Codman began as a decorative painter and had no formal training but eventually produced mature works of romance and beauty. One of his more important commissions was to design and paint five fireboards (decorative panels placed over hearths during the summertime) in the landscape style, for the Portland mansion of shipbuilder James Deering. He also filled commissions for both portraiture and decorative arts.
Girolamo Forabosco
1604-1679 Italian Girolamo Forabosco Location Italian painter. He was active in Padua and Venice, where he was enrolled in the Fraglia dei Pittori between 1634 and 1639 and paid taxes from 1640 to 1644. His early work, such as the portrait of the so-called Menichina (1624; Rome, Pal. Barberini), was influenced by that of Alessandro Varotari (Padovanino), who had revived the style of Titian. He also adopted compositional and formal schemes from Tiberio Tinelli, as in the Portrait of a Woman. The large canvas of the Miraculous Rescue (1646; Malamocco, S Maria Assunta), commissioned by Giovanni Ventura as an ex-voto for his escape from a shipwreck, shows Forabosco, unconstrained by the narrative and devotional character premises of the undertaking, creating a tender portrait group, distinguished by its spontaneity. The most striking quality of his work is its combination of physiognomic exactitude with free, fluid brushwork.






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